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The Last Gig In Melbourne

by Geraldine Quinn

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timchuma
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timchuma Prescient. I went to the last gig it was at M-Pavilion on Friday the 13th March 2020. So cold!
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1.
Audience Tonight Without you here I am a nova in the sky So lively from afar But it’s another long dead star Burnt out a million years ago… Without you here I am a peacock with no tail My fan of vivid plumes Plucked out to decorate a room While I’m left looking sheepish Mixing my metaphors and freezing my behind Please be my audience tonight… Are you my audience tonight? You are my audience You make me light up when you’re in the room I show off like a child I’m nothing if not in your sight You are my audience tonight… Long as you look my way I wouldn’t change a thing In love with all your eyes I’ll risk my neck to make you smile You are my audience tonight… I’ll give you everything! I’ll give you my first born! I give my soul to you I gave my right ear’s upper register too My tinnitus rings out for me and you You’re in my heart – when all I hear is…oooooo… Without you here, I’m nothing but a fool Shouting at a distant wall There is no point at all without you I don’t make any sense without you I have no future, dear, without you So glad you’re here because without you I’d have no audience without you You are my audience tonight…
2.
Do Yourself a Favour In a land so long ago When wizard, prince and piper dared to roam Every night, the sun retired. The villagers would turn their weary eyes To a magic light, from a box inside… As they watched and ate their tea A learned scribe preached from Ripponlea He spoke to them of charts and symbols Proclaiming ‘bout each brand new single “Do yourself a favour” the mystic would exclaim “This song is on the rise, my child! Number 1 in a matter of days! Open your ears and follow me This band’s the greatest ever seen!” So they gathered once a week To heed the words their leader deigned to speak Every seven days, a new sound As the minstrels jostled up and down the mystery scale. Some flew. Some failed... They looked to him in awe And cried aloud, “Please father, tell us more… Show to us your double-A sides! And your awkward interviews worldwide!!” And the sage cried: “Do yourself a favour - Get yourself a copy, stat” How could they ignore a man who dared to wear such a hat? Open your ears and follow him! He is the greatest ever seen! “(Do yourself a favour) This song’s spectacular There’s not enough hyperbole to describe the wonder I heard If you all do as I command I’ll lead you to the promised land!” [The Bearded Rock Prophet] But one witching hour of a midwinter’s eve The cowboy of rock declared he must leave: “My time here is done. Your destiny waits I must go from this earth before I fail to rate Take care of the minstrels, spare ye no cost”. But without him to guide them, the people were lost! So the songmakers wandered, withered and rambling, Broken by tithing, insurance and gambling, They played tunes of sorrow in large, empty rooms Fearful, without him, the music was doomed! (Do yourself a favour) Still echoes through the mist His passion shining through even when he was pissed He’d rant and rave ‘bout everything he heard With every kind of adjectival word But without him here to recommend Will our love affair with music end…?
3.
In My Tribe 04:34
In My Tribe Back of the bus The sun-burnt seating scalds our teenaged thighs Chuck a greasy if they get too close This row’s reserved for the members of our tribe Long skirts and longer socks pulled high Braving insults, weathering the fights We’re gonna be fine Music drew us in like satellites Compiling tapes with covers made by hand We can tell if you are of our kind The hem and hair show us if you’d understand When we get out of this school, then we’ll give them what they’re due We’re different from you You can come inside if you’re dressed appropriately Any colour, shape or size can be in my tribe So give in Let your mind go running With the magic beat within And tonight you’re something special when you’re in my tribe In the back of the pub Cigarette burns and the carpet Guinness-brown We have a corner where we all hook up The staff look good and the music’s far too loud Next day when we go to work Our ears are ringing and our clothes will stink of booze The boss hates us but we can’t care less We built our fate on half an hour’s snooze The office comments are a bore: “You’re not 16 anymore” We’ve heard it before It feels like growing up - we graduate from outcast to cool Extreme is not enough in my tribe Gather round Let the wine flow free amongst the kindred souls you’ve found And tonight We’ll rip this town up - In my tribe
4.
Scrag Fight On Swanston Street On the corner Something is about to go much “wronger” Than it was an hour or so ago Suzie Has Rachel by the hair; calls her a floozie And kicks her in the derriere Tempers are running high and cork heels are going flyin’ This is best fight we’ve seen so far in 1973 It started In Flinders Lane, then the exchange Departed And rolled towards the railway station Cardigans are ripped and bloodied; Rachel’s reputation’s muddied Suzie slapped her young face hard and says: “Stop flirtin’ with my sharpie! You slut! You bitch! Bushpig! Take this!” And the crowd shouts: “FIGHT! FIGHT! FIGHT! FIGHT! FIGHT FIGHT FIGHT!” Hey you girls, better run and see There’s gonna be a scrag fight on Swanston Street! A rat’s tail Is a very fine device for gripping The scalp of someone you despise So Rachel gets Suze in a choke hold Says “Now who’s a slut, you fat mole!” While the guy they are fighting over Fucks off with some Broadmeadows scrubber The slut! The bitch! Bushpig! Take this!” And we all shout: FIGHT! FIGHT! FIGHT! FIGHT! FIGHT FIGHT FIGHT! Hey you girls, better run and see There’s gonna be a scrag fight on Swanston Street!
5.
$12 Cover Charge 2 Drink Minimum Love I don’t ask who you are; You work at the bar I never heard your name From the tip of your nose to the cut of your clothes We are the same You never see me standing in line But whether you know it or not - I know you are my $12 cover charge, 2 drink minimum love Meeting you would jinx it I would never risk the danger If I’m gonna keep you I need to keep you a stranger But in my mind you’re here with me, locked in cubicle three No one knowing My actions are morally sound. As long as you don’t know I’m around I can keep going You’ll never need to worry I’ll turn up on your door The minute you notice me, it won’t work any more Carry on my darling If you never know I arrive I can keep this feeling alive I’m here every week. I watch you discreetly From the mixing desk Can’t hear what you’re saying - Some band is playing But I can’t care less I have to get this feeling tamed ‘cause I’m never gonna lose again My $12 cover charge, 2 drink minimum love When I pass the cash, I try to make your hand touch mine So lightly That innocent exchange will ease this brilliant pain So slightly… You’ll never need to worry about meeting my folks Never have to try my cooking or laugh at my jokes Carry on my darling This is the most I can give This is the best way to live
6.
Just Drunk Enough To Dance Should I suck down a row of Jager bombs Or hang from that chandelier? Open my mouth and erupt into song? Open my soul and burst into tears? The next move I make could be my undoing So many ways! So many mistakes! So much hinges on my intake! Should I tell you everybody you ever met doesn’t like you? Flounce around with a ribbon of loo paper Emanating from the sole of my shoe? The next deed I do could doom my reputation Should I take lots of pills? Or get in a fight? Roll down a hill? Tuck my skirt in my tights? Tell you I love you, then walk into a wall? Get a tattoo? Somersault down the hall? So many possibilities! So many decisions to rue! [Spoken] But not one of these things am I drunk enough to do Though I am just drunk enough to dance! One more shot of anything equals disaster Right now I’m standing in the sweetest spot Where I’m sure I am the greatest dancer Better beware! Who knows which way I’m going! Should I shriek like a monkey or squeal like a pig? Tongue-kiss a junkie? Throw up in the sink? Abandon my friends and burn every bridge? Then make amends and empty their fridge? Get into debt? Rewire a lamp? Bum cigarettes? Throw myself off this amp? No no! I teeter on the precipice of an eternity of regret [Spoken] But not one of these things am I drunk rnough to do yet! Though I am just drunk enough to dance! Hey bar-tender with your RSA, don’t need to turn me away ‘Cause I’m completely OK Just watch me shimmy, Watusi, fandango and jive You better give me one more because I don’t have to drive!
7.
Stay Broken 04:02
Stay Broken I found a hair of yours on my jacket from last night When we were the roof talking about everything and nothing I found my heart was running back to sit with you When everything had closed, the morning streets are clear and empty Everybody looks ugly on their own in a hotel room Everybody knows somebody who they would rather screw There’s nothing wrong with planning things we never meant to do Stay broken I found a little piece of you in my mind Then it starts me laughing for a beat too long so Working people fall a step or two behind Thinking no one should be quite this happy in the morning Everybody thinks They’re more than themselves when with a heart That makes your mind explode And see yourself as somebody apart When everything you thought was wrong Turns out to just be who you are Stay broken I found myself thinking about when you’re not here When you lose yourself in you, ‘cause no one else will ever do When everybody stops being on your side When you refuse us once too often and too strongly Everybody looks beautiful when kissing someone else Every time I think on you I find I’m singing to myself It was a different girl who fell in love with you Because she couldn’t think of a better thing to do Than stay broken... There’s nothing better to do... Nothing better to do...
8.
Happening Now Lights go down. Music fades. Fall silent in anticipation The audience, the people playing... Form an unprecedented combination The first musician hits the drums The bassist next, then the guitarist strums And one by one become the band ‘Til finally the singer walks toward the stand You’re witnessing sound and souls combined And you’re ready for the opening song to blow your tiny mind Lights go up. Music swells. The majesty of amplified rock compels you To nod your head, to clap along This many people can’t be wrong You look around you to share that feeling Revel in the joy we’re all revealing But no one’s focussed on the show... Their downcast faces have a blue-ish glow... Is this a twisted, science fiction dream…? Where punters come to concerts to stab at a tiny screen? Put down your phone Eyes glued to that thing in your hand Don’t you realise - IT’S HAPPENING NOW What the hell is going on? They’re halfway through the opening song Someone’s filming, someone Tweets Someone books a vadge wax for next week How can you feel the live elation Through fractals of facsimile pixellation? A sea of smartphones clogs your view What for? A fuzzy clip on YouTube? Will it make the memory more clear That low-res muffled video of the band right here? Put down your phone Every calloused hand in this here band Is giving you what’s HAPPENING NOW Don’t try to hold the air Give in to what you hear A song gives most if you let it disappear... IT’S HAPPENING NOW
9.
In My Tribe - The Return Back here again A decade older but my bank account’s the same The clientele aren’t as hip as then They know a lot ‘bout how to superannuate I can’t remember when I felt this grey It’s 7.30 and I want this music off In the corner where a band would play Are cashed up bogans ‘neath a print by Tretchikoff Slide my sad bones off the booth Close the door on the uncouth And ghosts of my youth... And it feels like getting old My people don’t come here anymore The club house has been sold By my tribe I give in Let my iPod keep the magic beat within Stay inside It can get lonely In my tribe...
10.
The Last Gig In Melbourne Sunday afternoon in a café. He sits alone on a stool Channelling George Benson on his threadbare Gibson guitar And who’s there to see it? The bouncers are tired Outnumbering the punters but they’re legally required It’s not how we planned it. They’ve never had fights What are they here for? This is The Last Gig in Melbourne... Don’t tell me you missed it? That very last gig? Don’t tell me – you were tired? Maybe you’d go next time. Pity there’s no next time. A Fitzroy pub on a Tuesday. Electro kids jabbing on a drum pad Volume turned down to nothing so the flats next door don’t get mad And no one can hear them over the register The venue had letters via the council It’s not how they planned it, waited months for this night What are they here for? This is The Last Gig in Melbourne... Don’t tell me you missed it? That very last gig? Don’t tell me – it was cold? Maybe you’d go next time. Pity there’s no next time. On Thursday evening, the folkies Beat bodhrains and pluck on their mandolins In a fortress of pokies which drown them out with the din The words are in Irish so no one understands “Seachain fearg an fhir foighneach” Beware the anger of a patient man It’s not how we planned it. It doesn’t seem right. What are they here for? This is The Last Gig in Melbourne... “I’m sorry I missed it. That very last gig. I’m sorry, I was skint - Maybe next time? Wrong side of the river. Babysitting the kids Hey I didn’t have petrol - Maybe next time? Had to work in the morning. I drank too much beer My boyfriend felt queasy - Maybe next time? Stayed home and watched TV. I couldn’t be stuffed Hey I’ll make it there next time.” Pity there’s no next time. Pity there’s no next time. Such a pity there’s no next time. Pity there’s no next time.
11.
The Peel 07:12
The Peel 3am... 3am The house lights bore holes in my tired, tired head My emerald eyes glaze in the fluorescent haze As security tries to convince us that the bar’s closed for good Herding us like lambs Into the abattoir of Collingwood…but it’s only… 3am Only 3am What civilized venue calls last drinks by then? This is no time for bed, in the night’s menopause I’ve got just enough balance to get to the next club’s doors…. I’m not ready to go home I’m not ready to go home There’s still one place we can play And it’s only a few blocks away If we can convince them that we’re gay And it’s time to go to The Peel It’s time to surrender what’s left of sobriety Time to go to The Peel The night won’t be complete Until we ride that rainbow unicorn into the rising sun We know we can’t fool the guy on the door He’s seen desperate, drunk hetero acting before But he lets our group pass and step into the gloom Of the heaving, well-groomed and drag-quilted room There’s a smell in the air... ...vaguely familiar, but I’m not sure from where... Best not to think about it. Get from the bar – to the dance floor I’ve never seen such high-waisted jeans ever before I’m reasonably sure I just saw that guy’s bits Flapping precisely in time to a 12” Black Box remix I’m not ready to go home I’m not ready to go home We’re all bewitched by its call Those layers of sweat on the walls And the overabundance of balls And it’s time to go to The Peel To drown in the glittery pit of depravity Time to go to The Peel And we’re not gonna leave Until we ride that rainbow unicorn into the rising sun And as we break with the morning We’re riding that rainbow unicorn into the rising sun…

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A rock cabaret concept album about a city on the brink of live music collapse.

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released December 11, 2016

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Geraldine Quinn Melbourne, Australia

Geraldine Quinn is a multi-award-winning writer-actor-songwriter-rock cabaretiér. She's been nominated for 26 Green Room Awards (winning 6), 3 Melbourne Comedy Festival Golden Gibbo Awards (winning in 2011), Best Cabaret in Adelaide Fringe (2013), 2 NZ Fringe Awards (2014) and was nominated for Most Outstanding Show in MICF 2022.

She's healthily enamoured of David Bowie & not at all obsessed.
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